Rebirth: Lebanon 21st century contemporary art - Exhibition

17 July, 2011 § 0

The concept of rebirth seems as old as birth itself. It’s as if Man fell so in love with life the minute he set eyes on the world that the idea of it having an end was unfathomable.

In ancient Egypt the scarab was a sign of eternal renewal and reemergence of life. The Ouroboros, the snake devouring its own tail, is an ancient symbol of eternal recurrence, representing cycles that begin anew as soon as they end.

But I believe the Phoenicians were the greatest visionaries of all. For them to have created the legend of the phoenix, they must’ve long predicted the fate of their own land, the fate of Lebanon, the embodiment itself of rebirth. And we love to prove our ancestors right. We love to watch it smolder to ashes and then fight our way up again. We even brag about it. But the eternal return of Lebanon, as heroic as it may be, isn’t as admirable as it sounds. We do rise after each fall but we lose parts of ourselves each time and we’re losing track of the essence of it all. We worry only about the “eternal” part and not about the “return”. We want to burn and be reborn again because we don’t know how else to do things. And we’ve sadly managed to turn the heroic into the horrific. But I digress.

I visited ‘Rebirth: Lebanon 21st Century Contemporary Art’ yesterday, an exhibition of works by 49 contemporary Lebanese artists, on the theme of rebirth and it got me thinking about the above amongst many other things. Nothing like art to provoke thought really.

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The importance of design for the government and for politics

09 July, 2011 § 10
















The above sticker haunts me.
It’s not enough that the mere presence of Lebanese taxi drivers brings the right amount of irritation to spoil the rest of your day. The sticker had to be added. Apparently, it’s part of the Urban Transport Project by the ministries of Interior and Public Works to rebuild the trust in Lebanon’s public transportation. Granted, this could be a step forward, but really, couldn’t they come up with a better, more trustworthy design? To a designer this is like an archeologist seeing a neglected historical sea castle (*cough*sayda*cough*).

The sticker itself isn’t the problem. The problem is everything else it implies. Like how discouraging it is to work in so essential a field, yet one so disrespected by your own country. Like how indifferent your country is to the potential of its own citizens. Like how your government doesn’t give a rat’s ass about how to communicate with you.

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When should the search for inspiration stop?

20 June, 2011 § 0














Teachers, lecturers, peers, everybody who's anybody will tell you that the biggest, most important step in any design project is research. And this is largely, though not undeniably, true. Back in college, I wasn't quite the online research guru that I am now. The only 2 websites that I ever ran to for help were Google images and DeviantArt. And although, looking back, I realize that my visual eye was really immature, I still made it top of my class. I didn't need endless hours online, just my concept and the little visual culture I had growing in the back of my head. Things have drastically changed now. The magic word for any Google research now is "showcase", they're everywhere and they cover EVERYTHING!
So after going from little to too much visual research, I'm realizing that I should hit the brakes again. Why, you might ask? Here's the reasoning behind it:

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Diagnosed with type disease!

14 June, 2011 § 0

So while doing some research today I found this!

Various forms of dysfunction appear among populations exposed to typography for long periods of time. Listed here are a number of frequently observed afflictions :

Typophilia
An excessive attachment to and fascination with the shape of letters, often to the exclusion of other interests and object choices. Typophiliacs usually die penniless and alone.

Typophobia
The irrational dislike of letterforms, often marked by a preference for icons, dingbats, and—in fatal cases—bullets and daggers. The fears of the typophobe can often be quieted (but not cured) by steady doses of Helvetica and Times Roman.

Typochondria
A persistent anxiety that one has selected the wrong typeface. This condition is often paired with okd (optical kerning disorder), the need to constantly adjust and readjust the spaces between letters.

Typothermia
The promiscuous refusal to make a lifelong commitment to a single typeface—or even to five or six, as some doctors recommend. The typothermiac is constantly tempted to test drive "hot" new fonts, often without a proper license."

I'm sure we've all felt obsessive about type but now it's been pinned down to our faces! It's official. We are sick (or at least I am!).

This is according to Ellen Lupton.

Train stations in Lebanon

09 June, 2011 § 2








Ever wondered what's behind that 4m high monumental wall along the Beirut Highway (going from downtown to karantina)? I had always seen that "shou fi wara l 7ayt" graffiti on the wall and it always made me wonder, but I had always missed the link to the answer.

Well,
*drum rolls*
it's a train station!

I can't believe that! Mar Mikhael station, hidden right in the middle of Beirut. And to think I went all the way to the Bekaa to see another station along that railway.
Please check this link for more info: shou fi wara l 7ayt?

Also, as you can see in the events page, there will be a 2-day open doors at Tripoli Railway Station on June 25 and 26. Check the event's facebook page and be there!

Seriously, is there anything better than discovering the historical treasures of your own country?!

Oumi ta nor'os: the comeback!

07 June, 2011 § 3

It took me a while (a pretty long one actually) to figure out how to go about this one, then I thought I'd mess around with the awesome blend tool in Illustrator and this is where it got me!


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